月租 $5万 - New York City, 曼哈顿 中城东区 Turtle Bay, NY 10017｜ID# RLS20119240

238号建于1866年，高出地下室共五层。它坐落于一块19英尺宽、100英尺深的地块上，面积约4,600平方英尺，拥有一幅新近修复、呈石灰岩色调的立面，以及一部服务于每一层的镶板电梯。其室内设计受到20世纪60年代住户皮埃尔·斯卡普拉的影响。斯卡普拉是巴黎设计师，曾受托为斯塔夫罗斯·尼亚科斯设计游艇内部，以及为李·拉齐维尔公主设计纽约和巴黎的住宅。如今这座住宅所呈现的法式氛围，正是斯卡普拉的作品。后来，这里成为首位欧盟驻联合国代表在纽约的住所。目前，住宅按照博物馆级标准修复，整体遵循18世纪的风格。

进入住宅后，迎面而来的是古典联排住宅建筑中不可或缺的一系列房间：前厅、大沙龙和起居室。

首先来到与房间同等大小的门厅。这里的电梯可通往整栋住宅，同时确保其他楼层的私密性。门厅的镶板设计简洁，仿照凡尔赛宫路易十五私人套房外的卫兵厅；大理石地面的图案、弧面柜、镜子和壁灯也都符合这一时期的风格。门厅通向一间客用衣帽间，以及一间采用华丽洛可可风格的金色与缟玛瑙盥洗室。

接着，沿宽阔的楼梯上行。楼梯并未完全由墙壁围合，因此从下方空间便可望见大沙龙的镜子与水晶吊灯。大沙龙拥有12英尺高的天花板，以及已有三百年历史的法兰西岛风格镶板和壁炉，这两者都是斯卡普拉从法国带来的。木柴壁炉目前仍可使用。大型镜柱中嵌有尼古拉·朗克雷（1690—1742）的画作，通电使用的古董水晶吊灯则来自达科他公寓阿尔布开克男爵夫人的住所。一对法式落地门通向阳台，可俯瞰宁静的花园。凡尔赛宫式拼花地板、古董家具和内置音响系统，共同完成了这间非凡的房间。

与之相邻的是起居室。斯卡普拉将其设计成一间“镜厅”（Salle de Glace），以真实比例的镶板和金箔线脚，再现了18世纪备受喜爱的室内风格。封闭式书柜、镀金青铜灯具和一张大型书桌，使这里既可用作办公室、图书室，也可作为额外的待客空间。

再上一层是主套房，墙面铺设法式橡木镶板，并采用“au cappuccine”表面处理。进口法式壁炉上方是一幅已有一百多年历史的画布壁画《罗马广场的建造》；238号的第一位屋主曾在蜜月期间将它带回纽约。套房设有两个步入式衣帽间和内置储物空间，旁边是白色卡拉拉大理石浴室，配有一只六英尺长的浸泡式浴缸和双人洗手盆。

同一层建筑前部是客房，设计成一间小型“仪式寝室”（Chambre de Parade），其床幔和镶板尤为引人注目。墙面覆以Scalamandré丝绸，房间配以路易十五风格家具。带窗的套内浴室采用绿色大理石装饰，并配有一只大型、稀有的紫色大理石盥洗台；更衣浴室内则设有衣柜和内置储物空间。

再上一层是一间以威尼斯风格装饰、面向花园的卧室，配有壁炉、三扇内倒内开窗，以及一间带白色盥洗台和金色五金及支脚的更衣室；此外还设有步入式衣帽间，以及一间使用五种大理石装饰的浴室。建筑前部设有一套包含两间房和一间浴室的员工套房，可与住宅其他部分隔离，并通过电梯到达。即使在这里，也处处充满惊喜：床头板是一件高品质的青铜铸件，如今看来，它似乎来自早已拆除的中央车站北立面门楣上方的装饰板。

最后是位于第五层的顶层公寓，采用中世纪现代风格，与住宅其余部分截然不同。

Built in 1866, Number 238 rises five stories over a cellar. It has approximately 4,600 square feet on a 19 by 100-foot lot, a newly restored limestone-toned facade, and a paneled elevator serving every level. Its interiors were shaped by its 1960s occupant, Pierre Scapula, the Parisian designer whose commissions included yacht interiors for Stavros Niarchos and the New York and Paris homes of Princess Lee Radziwill. Scapula is responsible for the French ambiance we see in the house today. Later, the house became the New York residence of the first European Union Representative to the United Nations. At present it is restored to museum quality standard in the spirit of the eighteenth century.

Upon entering you are greeted by the sequence of rooms mandatory to classic townhouse architecture: Anteroom, Grand Salon and Drawing Room.

First, you arrive at the room-size Foyer, which provides access to the whole house by elevator while assuring privacy to the other floors. Here the paneling is simple, patterned after the Guard Hall outside the Louis XV private suite at Versailles, and the marble flooring pattern, the bombé chest, the mirrors and the sconces are all appropriate to the period. A guest closet and the Gold and Onyx Powder Room, in the flamboyant Rococo style, open off it.

Next, you ascend the wide stairway, which is not fully enclosed by walls and allows a visual connection from the space below to the mirrors and crystal chandelier of the Grand Salon. Here are twelve-foot ceilings and three-hundred-year-old Île-de-France style paneling and a fireplace, both brought from France by Scapula. The woodburning fireplace works. The large mirror trumeau contains a painting by Nicolas Lancret (1690-1742), and the electrified antique crystal chandelier came from the residence of the Baroness Albuquerque in the Dakota. Twin French doors open to a balcony overlooking the tranquility of the garden. Parquet de Versailles flooring, antique furnishing and an integrated sound system complete this exceptional room.

Adjoining is the Drawing Room, styled by Scapula as a Salle de Glace, or mirror room, in which he replicated an eighteenth-century favorite with authentically proportioned panels and gold leaf moldings. Enclosed bookcases, doré bronze lighting fixtures and a large desk allow the space to be used as an office, a library or additional entertaining space.

One floor above is the Primary Suite, paneled in French oak in an au cappuccine finish. The imported French fireplace is topped by a canvas mural more than a hundred years old, "The Construction of the Roman Forum," brought back to New York from his honeymoon by the first owner of 238. There are two walk-in closets and built-in storage, and adjoining is the white Carrara marble bath with a six-foot soaking tub and double sinks.

On the same floor, at the front of the building, is the Guest Room, styled in the manner of a small Chambre de Parade and notable for its bed hangings and paneling. The walls are covered in Scalamandré silk, and the room is furnished in the Louis XV style. The ensuite windowed bath is finished in green marble with a large, rare purple marble vanity sink, and the dressing bath contains closets and built-in storage.

On the floor above is a Venetian decorated bedroom overlooking the garden, with a fireplace, three tilt-and-turn windows, a dressing room with a white vanity sink and gold fixtures and legs, a walk-in closet, and a bathroom finished in five kinds of marble. At the front there is a two-room-and-bath staff suite which can be shut off from the rest of the house and reached by elevator. Even here wonders abound: the headboard is a high-quality bronze casting that now appears to have come from an overdoor panel of the long-demolished north facade of Grand Central Terminal.

At last , the fifth-floor penthouse, done in a mid-century modern style, entirely different from the rest of th