Ụlọ Barbara Jakobson — Ọmarịcha Ihe Owuwu Dị N’Ihe Dịruru Ụkwụ 20 n’Obosara nke dị na Upper East Side

167 East 74th Street bụ ụlọ obibi pụrụ iche dị n’Upper East Side, nke dị ụkwụ 20 n’obosara ma nwee ala ise, na-ekpuchi ihe karịrị ụkwụ akụkụ anọ 6,000 nke oghere dị n’ime. A na-amata ya site n’ịdị ukwuu pụrụ iche nke ihe owuwu ya, ime ụlọ jupụtara n’ìhè, na ime ụlọ nnọkọ nwere elu okpukpu abụọ nke na-ele ubi nkeonwe anya. Ụlọ a na-enye ngwakọta pụrụ iche nke nnukwu nha, ìhè, na ịdị mkpa n’ihe owuwu nke a na-esikarị ike ịhụ n’ụlọ townhouse ndị dị na Manhattan. Ọ bụ ebe nka, ihe owuwu, na akụkọ ezinụlọ jikọtara ọnụ n’ụzọ pụrụ iche; onye na-ahazi ọdịdị na omenala a ma ama, Barbara Jakobson, zụtara ụlọ ahụ n’afọ 1965, ọ bụkwa ebe obibi ya bụ isi ruo ihe fọrọ nke nta ka ọ bụrụ afọ iri isii. Ka oge na-aga, ọ ghọrọ otu n’ime ime ụlọ omenala nkeonwe kacha nwee mmetụta nwayọọ nwayọọ na New York.

E wuru ụlọ ahụ na mbụ n’afọ 1910, onye na-atụpụta ihe owuwu bụ John Kingsland gbasakwara ya n’afọ 1956. Ruo ogologo oge, ọ dọtara ndị nwere ndụ okike. Ruo ihe fọrọ nke nta ka ọ bụrụ afọ iri, ọ bụ ebe obibi onye na-eme ihe nkiri a ma ama, Elia Kazan, bụ́ onye biri ebe a mgbe ọ na-eduzi ihe nkiri ndị a ma ama dịka *East of Eden* na *Splendor in the Grass*. N’oge ahụ, ndị dịka James Dean, Natalie Wood, Warren Beatty, Marlon Brando, na Vivien Leigh so n’ọbịa ama ama ndị gafere n’ọnụ ụzọ ya. Mgbe e mesịrị, n’okpuru nlekọta Jakobson, ụlọ ahụ gara n’ihu ịbụ ụdị ebe nnọkọ na-adịghị iwu siri ike maka ndị ụwa nka na akwụkwọ, na-anabata ndị ama ama dịka Jasper Johns, Robert Rauschenberg, Andy Warhol, Cy Twombly, Philip Roth, na Umberto Eco.

N’akụkụ East 74th Street, a na-amata ụlọ ahụ ozugbo site n’ọnụ ụzọ lacquer na-acha ọbara ọbara pụrụ iche ya na ihe oyiyi squirrel ọla nchara ndị a hụrụ n’anya, nke onye na-akpụ ihe oyiyi bụ Jane Canfield kere—nkowa mara mma nke mere ka ndị agbataobi kpọọ ụlọ ahụ “Ụlọ Squirrel.” E tinyere ihe oyiyi ndị a n’oge onye nyocha ala mmiri na onye nketa ụlọ ahịa ngalaba, Peter Gimbel, bụ onye nwe ụlọ ahụ. Ihe oyiyi ndị ahụ nwere ọdịdị egwuregwu dọọrọ uche ụmụaka nke ọtụtụ ọgbọ nọ n’obodo ahụ ngwa ngwa.

N’ime, ụlọ ahụ na-apụta n’ụdị ịdị ukwuu na ihe nkiri nke ihe owuwu. Ụlọ mbata dị egwu nwere arches atọ na akwụkwọ ahụaja pụrụ iche nke onye omenkà Peter Halley haziri na-eduga n’ime ụlọ ezumike na-ekpo ọkụ ma na-anabata mmadụ, nke nwere ebe ọkụ ma na-ele ime ụlọ nnọkọ nwere elu okpukpu abụọ anya—ọ bụ echiche mbụ a na-apụghị ichefu echefu, n’ezie “oge wow.”

Ebe elu ụlọ ahụ na-eru ihe dịka ụkwụ 19, ime ụlọ nnọkọ ahụ na-egosi nnukwu oghere ihe owuwu pụrụ iche nke a na-adịghị ahụkarị n’ụlọ nkeonwe. Ìhè eke si na windo dị n’elu na-asọba n’ime ya, ebe mgbidi brik ndị toro ogologo gbara ya gburugburu, nke na-enye ime ụlọ ahụ nha na ịdị mkpa dịka gallery nkeonwe. Windo ndị sitere n’ala ruo n’elu ụlọ na-ele ubi dị jụụ nke dị ụkwụ akụkụ anọ 350 anya, na-emepụta njikọ anya dị egwu n’etiti ime ụlọ ahụ na oghere dị n’èzí.

Ime ụlọ a bụ nrọ onye na-anakọta nka, bụrụkwa ebe pụrụ iche maka ịnabata ndị ọbịa. Ndị ọbịa na-abata n’ụzọ a na-apụghị ichefu echefu, na-agbada steepụ gbagọrọ agbagọ mara mma nke na-abanye n’ime ụlọ nnọkọ ahụ n’ụzọ dị mma, na-emepụta mbata nwere ụdị ihe nkiri nke a ga-echeta. Oghere ahụ na-anabata nnukwu ọrụ nka n’enweghị nsogbu, ebe ọ ka na-adị ọkụ ma na-anabata mmadụ maka nnọkọ ndị pere mpe ma ọ bụ ndị buru ibu. N’akụkụ ime ụlọ nnọkọ ahụ bụ nnukwu ebe iri nri nke na-eduga n’ụlọ kichin.

Ìhè eke na-ejupụta n’ụlọ ahụ site n’akụkụ ihu abụọ ya. Ime ụlọ ndị chere ihu n’ebe ndịda na-enwu ma na-atọ ụtọ, na-enweta ìhè anyanwụ ụbọchị niile, ebe ime ụlọ ndị chere ihu n’ebe ugwu na-enweta ìhè dị nro ma kwụ ọtọ, tinyere echiche nke elu osisi na mbara igwe mepere emepe, nke na-emepụta ikuku dị jụụ ma na-anabata mmadụ. N’akụkụ ndị ọzọ niile nke ụlọ ahụ, elu ụlọ ka dị elu ma saa mbara, ebe ala ndị bụ isi nwere elu ihe dịka ụkwụ 10, ala kacha elu nwekwara elu ụkwụ 9.2. Nke a na-enye ime ụlọ niile n’ala ise ahụ mmetụta nke oghere na nha ọdịnala nke ụlọ townhouse. N’ozuzu, ụlọ obibi ahụ nwere ihe karịrị ime ụlọ ihi ụra asatọ, ime ụlọ ịsa ahụ isii na ọkara, na nhazi dị iche iche enwere ike iji mee ihe, nke na-enye ndị nwe ya n’ọdịnihu ohere ime ka ụlọ ahụ kwekọọ n’ụdị ndụ dịgasị iche iche, ebe ha ka na-echekwa àgwà ya pụrụ iche.

The Barbara Jakobson Townhouse - A 20-Foot-Wide Architectural Gem on the Upper East Side

167 East 74th Street is a remarkable 20-foot-wide, five-story Upper East Side residence encompassing over 6,000 square feet of interior space. Distinguished by dramatic architectural volume, luminous interiors, and a spectacular double-height living room overlooking a private garden, the home offers a rare combination of scale, light, and architectural presence seldom found in Manhattan townhouses. A rare convergence of art, architecture, and family history, the residence was acquired by iconic tastemaker Barbara Jakobson in 1965 and remained her primary home for nearly six decades, evolving into one of New York's most quietly influential private cultural interiors.

Originally constructed in 1910 and expanded in 1956 by architect John Kingsland, the house has long attracted creative life. For nearly a decade it was home to legendary filmmaker Elia Kazan, who lived here while directing cinematic classics including East of Eden and Splendor in the Grass. During those years, figures such as James Dean, Natalie Wood, Warren Beatty, Marlon Brando, and Vivien Leigh were among the notable visitors who passed through its doors. Later, under Jakobson's stewardship, the house continued to serve as an informal salon for the art and literary worlds, welcoming luminaries including Jasper Johns, Robert Rauschenberg, Andy Warhol, Cy Twombly, Philip Roth, and Umberto Eco.

On East 74th Street, the home is immediately recognizable by its distinctive red lacquer doors and the beloved bronze squirrel sculptures created by sculptor Jane Canfield-a charming detail that has long earned the property the neighborhood nickname "The Squirrel House." Installed during the ownership of underwater explorer and department-store heir Peter Gimbel, the whimsical figures quickly captured the imagination of generations of neighborhood children.

Inside, the house unfolds with a sense of grandeur and architectural theatre. A dramatic entry hall with triple arches and custom wallpaper designed by artist Peter Halley leads to a warm and inviting den with fireplace overlooking the spectacular double-height living room-an unforgettable first impression that is truly a "wow moment".

With ceilings rising approximately 19 feet, the living room reveals an extraordinary architectural volume rarely encountered in private homes. Bathed in natural light from a skylight above and framed by soaring brick walls, the room possesses the scale and presence of a private gallery. Floor-to-ceiling windows overlook the tranquil 350-square-foot garden, creating a striking visual connection between the dramatic interior and outdoor spaces.

The room is an art collector's dream and an exceptional setting for entertaining. Guests arrive in unforgettable fashion, descending the graceful curved staircase that sweeps elegantly into the living room, creating a theatrical and memorable entrance. The space effortlessly accommodates large-scale works of art while remaining warm and inviting for gatherings both intimate and grand. Off the living room is a large dining area which leads to the kitchen.

Natural light fills the home from both exposures. South-facing rooms are bright and cheerful, capturing sunlight throughout the day, while north-facing rooms enjoy soft, even light with views of treetops and open sky, creating a serene and welcoming atmosphere. Throughout the remainder of the home, ceiling heights remain generous, with approximately 10-foot ceilings on the principal floors and 9.2-foot ceilings on the top level, lending the interiors a sense of openness and classic townhouse proportion across all five stories. In total, the residence offers over eight bedrooms, six and a half bathrooms, and multiple possible configurations, allowing future owners to adapt the home to a wide range of lifestyles while preserving its remarkable character.